Don’t let the buggers grind you down. Try to come over as laid back. They wear a strange eclectic mix of what they see as achingly trendy, or sharp city wear, set off with flamboyant footwear in bright – too bright – poster colours. So wear a dingy blouson over an old cardigan and keep your dignity, simply wipe off their spit when they show their contempt for you. This could be what’s going through Shylock’s mind in Makram J Khoury’s finely calibrated performance, which positively radiates a relaxed gravitas.
The two Rafis: Raphael with Rafi Zarum, the dean of the London School of Jewish Studies, who presented sessions on James Bond and 7 levels of laziness
“Just back from the two-day inaugural Limmud Tel Aviv. I am not certain how many attended but those who did were a mixture of Israelis and olim from many countries including the UK, France, Italy, Turkey, the USA, South Africa and Australia. There were sessions in both Hebrew and English. Of the English sessions, topics included leadership, a talk by a retired Israeli intelligence agent (his name was not given but when he got up to speak, I recognised him from previous UK Limmud conferences, so his cover was effectively blown), Nidda (Jewish family law), Israeli innovation for developing countries, water co-operation and Jewish origins of value investing. There were also some journalists from the Jerusalem Post and The Media Line.”
By Raphael Gee
The Merchant of Venice may be considered the most problematical of Shakespeare’s problem plays, especially in the current climate of a perceived threat of heightened antisemitism, but there’s more than one Yiddish version of the story, including M. Zamler’s 1929 novel with a brand new title, Shaylock (Der Soyher fun Venedig). Tellingly it is billed as based on Shakespeare’s tragedy.
© Complete Music and the Brickman family via Times Union
Composer Ronald Senator and his wife, pianist Miriam Brickman, tragically died in a fire in their home in Yonkers, New York on Thursday 30 April. Geraldine Auerbach, the founder of the Jewish Music Institute in London, explains how important they were in the world of Jewish music in Britain.