Monthly Archives: May 2016

Help raise funds for a new Jewish vegetarian centre in Golders Green

JVS old building

The Jewish Vegetarian Society has launched a crowdfunding campaign to open the UK’s first vegan and vegetarian community centre at its headquarters in Finchley Road this autumn.

Vegetarians, non-vegetarians and people of all faiths and none will all be able to enjoy the eco-friendly centre’s open-plan hall, community garden and demonstration kitchen where a number of cookery classes will take place. Other events planned include film screenings, workshops and talks.

Having first started in 1966 by a group of plucky Jewish vegetarians, the JVS has been going strong ever since. JVS director Lara Smallman said: “This is a very exciting time for the JVS as we embark upon a new chapter. We are delighted to be creating a home for vegetarianism and environmentalism.”

By Danielle Goldstein

Donate to JVS via and see an architect’s drawing of the proposed layout below:

JVS architect plan

Review: The Threepenny Opera ★★★★ – Worth paying rather more than half a sixpence to see

The Threepenny Orchestra_4

© Richard H Smith

When is an opera a play with music? When it’s Simon Stephens’ sharp new reworking for the National Theatre of Brecht’s adaptation of John Gay’s 1728 ballad opera (The Beggar’s Opera). The perfect match of Kurt Weill’s thrilling, chilling music and Bertolt Brecht’s update of John Gay’s comic, heartless satire seems as timely and timeless as ever in Rufus Norris’s new production.

Brecht and Weill’s ‘play with music’, based on Elisabeth Hauptmann’s translation, opened in 1928, two hundred years after Gay’s first night. Brecht and Weill continued the short and intense collaboration that produced Mahagonny, Happy End and more in the years leading up to the rise of National Socialism. GW Pabst’s film adaptation of Die Dreigroschenoper opened in the more dangerous Germany of 1931, and by 1933, the Jewish Weill and his Austrian wife actor/singer Lotte Lenya (the first Polly) had fled Nazi Germany, emigrating to the USA by 1935, followed by Brecht and his Austrian Jewish wife, actor/director  Helene Weigel (the first Mother Courage). Their ‘opera’ had pride of place in the ‘degenerate music’ exhibition curated by the Nazis in Dusseldorf in 1938.

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