East first shocked and delighted audiences in 1975 and in Jessica Lazar’s production for Atticist Theatre it has lost none of its power. Her five actors relish Berkoff’s marriage of precisely choreographed physical theatre and heightened language to make it their own. He folds witty takes on Shakespeare – “he doth bestride Commercial Road like a Colossus” – into heroically scurrilous prose and verse, using Cockney rhyming slang and evoking place names and bus routes to conjure the East End of his youth. It’s a bleak and dangerous manor of dashed hopes, hard graft, violent machismo, sexism and sexual rivalry. Yet it’s a paean to generations who lived there and live there still, fascists and Jews, immigrants and those who resent them.
Going to Limmud Festival is always a source of wonderment: 2,500 delegates of all ages – from under one year old to over 90 – met at Pendigo Lake in Birmingham for the third year. Hundreds of sessions were given by an international cast of presenters, covering all aspects of Jewishness, from torah texts to issues of being Jewish in the fluid world we now inhabit. There were lots of opportunities to join in, whether in Mizrachi dancing or – new to this year – peopling the everyday story of country folk that is The Archers with Jewish characters. There was a great deal of fun with Eddie Grundy!