Going to Limmud Festival is always a source of wonderment: 2,500 delegates of all ages – from under one year old to over 90 – met at Pendigo Lake in Birmingham for the third year. Hundreds of sessions were given by an international cast of presenters, covering all aspects of Jewishness, from torah texts to issues of being Jewish in the fluid world we now inhabit. There were lots of opportunities to join in, whether in Mizrachi dancing or – new to this year – peopling the everyday story of country folk that is The Archers with Jewish characters. There was a great deal of fun with Eddie Grundy!
Being in Ethiopia, after dreaming of visiting the country for years, was wonderful. Being there in the company of 20 loquacious Londoners of various Jewish persuasions was even better: a journey of constant dialogue and learning. With Rabbi Sybil Sheridan of West London Synagogue and Abye Tilahun Lakew of local Jacaranda Tours as our guides, we saw vast stretches of the country’s north.
The eight-day tour of Andalusia in November 2017 was my fourth trip with Jewish Renaissance in the past six years. As in the previous three, I felt immediately at ease with the other members of the group who were friendly and whose outlook I shared.
Like all JR tours Andalusia was a combination of Jewish sites and historic places of interest. We were fortunate to be joined on our first two days in Seville by Moises Hassan, an eminent scholar of Jewish-Spanish history, who gave us a crash course. He told us about the place of the Jews, whose expulsion or murder by the Inquisition at the end of the 14th century ended Jewish presence in Spain. Today there are only 100 Jews in Seville and none at all in Cordoba, two significant pre-Inquisition Jewish communities.
As Israel Zangwill’s play is revived for the first time in 80 years in the UK, by Bitter Pill Theatre at the Finborough Theatre, Judi Herman finds out about the visionary writer and activist. He coined this evocative description of inclusivity for the title of a play that influenced President Theodore Roosevelt at its premiere in 1908. Judi spoke to actor Peter Marinker about the play and his own inclusive background, complete with tales of rabbis and nuns! He plays Zangwill himself, as well as both the uncle and prospective father-in-law of Jewish composer David Quixano, escaped from a massacre in a pogrom to the melting pot that is New York City. First we hear an extract especially recorded for JR OutLoud by Marinker and actor Steffan Cenydd, who plays David, a man in love with a beautiful Russian Christian called Vera, much to the consternation of his Uncle Mendel (Marinker).
Image design by lococreative.com
The Melting Pot runs until Tuesday 19 December. 7.30pm (Sun-Tue), 2pm (Tue only). £18, £16 concs. Finborough Theatre, SW10 9ED. 0844 847 1652. www.finboroughtheatre.co.uk
Click here to read our review of The Melting Pot.
In 1975 when Chagall was 88, he illustrated an edition of Shakespeare’s magical play The Tempest, perhaps feeling an affinity with Prospero the magician and prince, who gives up his ‘rough magic’ at the play’s end. The first UK exhibition of this rare and limited portfolio is currently on view at the Ben Uri gallery. Curator Hanna Scolnicov, Professor emerita of Tel Aviv University (left in above photo), talks to JR’s arts editor Judi Herman (above right) about how Chagall came to illustrate the edition and takes listeners on an audio tour of the exhibition, stopping at her favourite images.
A Farewell to Art: Chagall, Shakespeare and Prospero runs until Sunday 11 February. Ben Uri Gallery, NW8 0RH. 020 7604 3991. www.benuri.org.uk
See Scolnicov’s selected images below.
I won’t reveal why novelist Judith Burnley gives her moving debut play this intriguing title. To find out, you’ll have to get to know Otto and Lottie, he a Holocaust survivor and she an aristocratic German with her own story of devastating wartime trauma. Otto’s viola-playing days may be over, as he is also a stroke survivor, but he has the consolation of listening to Brahms on state-of-the-art speakers he designed himself!
Some fantastic shows are visiting the Edinburgh Festival Fringe this year, plenty of which have a Jewish cultural interest. There are even a few that our Arts Editor Judi Herman has already reviewed from previous runs and spoken to creatives behind the productions in some cases, so we thought it’d be great to revisit those. Below you’ll find the listings info for Knock Knock, The Flying Lovers of Vitebsk, and Kafka and Son, as well as links to the theatre reviews and JR OutLoud podcasts.
Writer/performer Hadar Galron is the inspirational artistic director of the three-day-long International Shalom Festival taking place at the Edinburgh Festival Fringe this month. Its mission is to “build cultural bridges and celebrate coexistence and peace” by bringing artists from both the Israeli and Palestinian communities to share a dialogue with visitors to the festival. Here she tells Judi Herman more about the packed three days of the Festival – and how she plans to combat anti-Israel protesters like BDS (Boycott, Divestment, Sanctions) by shedding some real light in Edinburgh.
The International Shalom Festival runs Tuesday 8 – Thursday 10 August. Times vary. Donations on the door. Venue 340, Drummond Community High School, Edinburgh, EH7 4BS. www.shalomfestival.org
Silver Birch – a newly-commissioned community opera about the toll war takes on soldiers and their families – will be premiering at Garsington Opera near High Wycombe this weekend (28-30 July). Ahead of that Judi Herman spoke to novelist and journalist Jessica Duchen, who has written the libretto for composer Roxanna Panufnik’s score. The performance features the poetry of Siegfried Sassoon and, in fact, Sassoon’s great-nephew Stephen Bucknill is one of the 180-strong company that includes local adults, school children, students, members of the local military community and even Foley artists, all appearing alongside professional singers. Judi spoke also to Stephen Bucknill; and to one of the 50 primary school children taking part, eight-year-old Maia Greaves, who shares the role of Chloe, the younger sister of Jack and Davey, the two soldiers at the heart of a story set in the present day, with echoes of the Great War provided by Sassoon’s poetry, and his ghostly presence onstage.
Silver Birch runs Friday 28 – Sunday 30 July. 7.30pm. £5. Garsington Opera, Wormsley Estate, HP14 3YE. 018 6536 1636. www.garsingtonopera.org
Hundreds thronged to Manchester’s Jewish Museum on Sunday 2 July for the first Jewish Arts Festival For All (JAFFA). Jews of all ages were joined by those of other faiths for a fun-filled day of food, music, art and entertainment.
The Lord Mayor of Manchester – who spent almost two hours at the festival with his wife – chose as his theme for a year that has seen the city’s emergence from the horrendous terrorist attack, “to promote community cohesion and mutual respect amongst and between the city’s diverse communities and individuals” and t was certainly in evidence on Sunday.