The City ★★★★ – Israel’s Incubator Theatre makes its Edinburgh debut at Shalom – just three years after protests prevented it from being part of the Festival Fringe
One highlight of the International Shalom Festival is the return to Edinburgh of Jerusalem’s Incubator Theatre with their hip-hop opera The City, a clever homage to all those private dicks who walk the mean streets of the city trying to solve crime. The City is entirely written in rhyme, combining rap, hip-hop and spoken word to tell a tale of vanity, lust and murder. This is the company targeted by pro-Palestinian demonstrators in 2014, which meant they were unable to perform at the Fringe. So it’s all the more exciting and gratifying that they are at last making their proper Edinburgh debut. When JR’s Arts Editor Judi Herman saw The City at JW3, London, where it played three sold-out performances in the aftermath of the Edinburgh protests, she was inspired to write the following four-star review in rhyme.
This was the 10th anniversary of the Tel Aviv University (TAU) Trust’s gala UK showcase for students of The Steve Tisch School of Film & Television. Almost every Israeli film produced in the last 10 years has been made by alumni of the school and the evening gives an opportunity for four aspiring filmmakers to show their developing talent in a series of shorts.
This year the chosen films represent not only life in contemporary Israel for both Arabs and Jews, but also a documentary and a surrealist feature. There’s no doubting the creativity and originality of the work and it’s not surprising that previous entries and their directors have gone on to be recognised internationally.
Hitler apologist David Irving would have loved to have his day – or days – in court face to face with Deborah Lipstadt, the historian he sued for libel for labelling him “one of the most dangerous spokesmen of Holocaust denial”. It is more a strength than a weakness of the film charting Irving’s high-profile defeat by Lipstadt’s team of lawyers that Lipstadt herself maintains a dignified ‘silence in court’.
More reviews from the 20th UK International Jewish Film Festival. This time looking at two films from Israel giving insights into Arab/Israeli relations, featuring this mockumentary written by Sayed Kashua and directed by Shay Capon.
If you loved Arab-Israeli writer Sayed Kashua’s Arab Labour and you’re into Larry Davidson, this meta-reality TV series, which has its first three episodes screened at the Festival, is for you. But don’t expect to get the belly laughs or even the cynical giggles you got from Larry and Arab Labour’s genial, narcissistic anti-hero Amjad (who finds celebrity when he wins a TV reality show). Kashua’s writer Kateb (wonderfully perplexed Yousef Sweid) is his fictional alter ego, an Arab-Israeli TV writer who has achieved celebrity status with his hit TV series called – yes you’ve guessed it – Arab Labour.
More reviews from the 20th UK International Jewish Film Festival. This time looking at two films from Israel giving insights into Arab/Israeli relations, starting with Stephen Apkon and Andrew Young’s documentary, Disturbing the Peace.
For a searing insight into the wounds inflicted on both sides by the situation and into a group that has earned the right to work towards trying to heal them, I urge you to see this hard-hitting documentary. Even-handed filmmakers Stephen Apkon and Andrew Young take no prisoners and no sides. They give equal screen-time to the bravely candid members of Combatants for Peace from both the Israeli and Palestinian communities who speak directly to camera to tell their stories, backed up by documentary footage and reconstructions, as well as tense actuality of unfolding events.
As the 20th UK International Jewish Film Festival gets underway (5-20 November), we take our first look at the selection of films on offer. Roee Florentin’s Mr Predictable will have you cheering as its eponymous hero finally refuses to sit up and beg…
As the 20th UK International Jewish Film Festival gets underway (5-20 November), we take our first look at the selection of films on offer on offer. Job Gosschalk’s beguiling comedy Moos gives an insight into life in Jewish communities in Amsterdam.
As the 20th UK International Jewish Film Festival gets underway (5-20 November), we take our first look at the selection of films on offer. Jérôme Cohen-Olivar’s poignant The Midnight Orchestra gives an insight into life in Jewish communities in Morocco.
This autumn the UK International Jewish Film Festival marks its 20th anniversary. To help celebrate the rich smorgasbord of films it has offered over the years, as well as giving us a chance to revel in the world of film, JR asked you to vote for your favourite Jewish film. We can now announce the results! And below our panel of filmmakers and critics have chosen their own favourites.
Asaf Korman’s powerful, challenging film, with script by his wife Liron Ben Shlush, who also stars alongside Dana Ivgy and Yaakov Zada Daniel, explores the symbiotic relationship between 27-year-old Chelli, sole carer for her mentally-challenged younger sister Gabby (24), until she is forced to find her part-time daycare and at the same time embarks on a relationship with Zohar a new work colleague. Ben-Shlush based her story on her own experience of having a mentally disabled sister and worked closely with friend and co-star Dana Ivgy on her role.