“Time it was, oh what a time it was” – as the lights went down, the poignant notes of what is for me one of Simon and Garfunkel’s most persistent earworms played in my head – and then echoed on stage to open a show that reminded me just how many earworms the pair gifted us.
Sam O’Hanlon and Charles Blyth work subtly together and with their stonking backing band to conjure the sound and look of Paul Simon and Art Garfunkel without slavishly aiming to be look- and sound-alikes. Their role as narrators is important too, for this is billed as the folk duo’s story. We learn how these two Jewish boys met at their Queens, NY, elementary school, appearing together in the school production of Alice in Wonderland – Paul as the White Rabbit and Art the Cheshire Cat. The animal theme continued as they made their musical debut as Tom and Jerry, before using their own rather more memorable surnames.
This is not where you will read erudite analysis or an account of a life, or even of the work. I am simply asking myself and others like me why we have been so profoundly affected by Leonard Cohen’s words, music and life.
For a time now, aware that the man who told us all “I’m your man” was an octogenarian, I have been confiding that I hoped he would live to a great age because the world would be a poorer place without him. It was a better place with him in it. I think I feel this way because of the arc of his life, with its many pathways, both sacred and profane, as shared through his music, confided to me and so many others through his gorgeous, elegant poetry and lyrics.
The millennium was a time of fireworks and celebrations, but it also marked a moment for Jewish music to benefit enormously. The Jewish Music Institute (JMI), in partnership with the music department at SOAS, was fortunate to win £240k from the Millennium Commission to give away in grants to enable individuals to achieve their dream projects in Jewish music. Fifteen years on, we can see how significantly awareness of Jewish music – and lives – were changed.
Composer Ronald Senator and his wife, pianist Miriam Brickman, tragically died in a fire in their home in Yonkers, New York on Thursday 30 April. Geraldine Auerbach, the founder of the Jewish Music Institute in London, explains how important they were in the world of Jewish music in Britain.
A packed crowd of around 60 people attended the second JR salon event this week at Lauderdale House in Highgate. They were there to hear the virtuoso talents of violinist Irmina Trynkos, as well as the sparkling sounds of pianist Marco Fatichenti. And they weren’t disappointed.