Category Archives: Theatre

JR OutLoud: A Song Goes Round the World – first stop Selig Court, Golders Green with singer Daniel Donskoy

Ahead of its run at Upstairs at the Gatehouse in Highgate, Daniel Donskoy performed A Song Goes Round the World – his show of European chansons – for the residents of Selig Court. Many of those who live in these independent living apartments on Jewish Care’s Maurice and Vivienne Wohl Campus are survivors of Nazi persecution. Donskoy sings in many languages, including Yiddish, to bring people together in a fractured Europe. Judi Herman was there to meet Donskoy and the residents, to hear their stories – and of course Donskoy’s glorious vocals, accompanied by MD Inga Davis-Rutter on piano.

A Song Goes Round the World runs Tuesday 25 – Sunday 30 April. 7.30pm, 4pm (Sun only). £18, £16 concs. Upstairs at the Gatehouse, N6 4BD. 020 8340 3488. www.upstairsatthegatehouse.com

Click here to listen to more OutLoud interviews and audio tours of exhibitions.

Review: How to Succeed in Business Without Really Trying ★★★ – Guys and Dolls meets Mad Men in musical satire on big business

New Yorkers Abe Burrows (Borowitz), Willie Gilbert (Gomberg) and Jack Weinstock did not invent the title of their 1961 musical satire on big business. It’s actually based on this best-selling lampoon of contemporary office life in 1950s USA, disguised as a self-improvement handbook. Clutching the book he consults on every step of the corporate ladder he climbs from window cleaner to chairman of the board, their anti-hero J Pierrepont Finch really lives up to the book’s subtitle, “The dastard’s guide to fame and fortune”. Burrows had worked with Frank Loesser on Guys and Dolls and the marriage of witty, amoral book with jaunty music and slick lyrics ensured the show’s award-winning success.

Continue reading

Review: Filthy Business ★★★★ – Sara Kestelman keeps it in the family in Ryan Craig’s new Jewish comedy

Families – can’t live with ’em, can’t live without ’em. Matriarch Yetta Solomon has no intention of allowing a single member of her family to escape from Solomon Rubber. Craig’s title is clever – rubber is self-evidently a filthy business. You can almost smell the huge bales and coils of the stuff looming from every shelf downstairs and off every table upstairs on Ashley Martin-Davis’s towering two-tier shop set. Yetta is not afraid of playing dirty either, from reeling in a reluctant phone customer with the promise of “a special one-time-only deal” (actually almost double the asking price) to micro-managing a Machiavellian insurance scam, with violence thrown in that almost makes this feel like Yiddishe (as against Scandi) noir.

Continue reading

Allons enfants de la Patrie! France during and after WWII provides fertile soil for rich drama, music and art this year

What links London’s latest hit musical An American in Paris, a revival of Incident in Vichy – an Arthur Miller drama not seen in this country for 50 years – and the centenary of the young German artist Charlotte Salomon, who continues to enchant more than 70 years after she perished in the Holocaust?

The clue is in the titles of the theatre pieces. Arthur Miller’s Incident in Vichy concerns the fate of 10 men detained in Vichy, France, at the height of World War II in 1942, when Vichy became notoriously synonymous with the French government of Marshal Pétain that collaborated with the Nazis. An American in Paris, freshly adapted from the much-loved Gershwin movie musical, is reimagined with a story set in the City of Light in 1945, in the immediate aftermath of the war. The heroine is a young Jewish ballerina safely hidden by Parisians, while her parents have disappeared in wartime Provence. And the young German artist Charlotte Salomon, escaping Nazi Germany to take refuge in the South of France, was herself arrested in Villefranche in September 1943 aged just 26 – within a month she had been murdered on arrival in Auschwitz.

Continue reading

Review: Incident at Vichy ★★★★ – Rarely-performed Arthur Miller is 90 minutes of mounting tension in wartime France

Set in the detention room of a Vichy police station in 1942, Miller’s drama explores the ways paranoia among those detained by the Nazis could descend so easily into guilt and fear, making it all too easy for the perpetrators of the Holocaust. Ten men wait to be called. At first, the strained and nervous discussion is about why they might be there (a random pick up, routine check on their papers), but it soon emerges that some (or most) are Jews who have fled German-occupied northern France for the southern, ‘unoccupied’ Free Zone.

Continue reading

Review: An American in Paris ★★★★★ – A glorious evocation of the City of Light illuminates the stage

A lone figure limps into the light on a bare stage. Wounded in action, GI Adam Hochberg, confides his life, loves, hopes and fears and takes the audience back to newly-liberated Paris, 1945. David Seadon Young’s sardonic, worldly-wise American Jew in Paris is the first surprise in a show that adds depth to the light-as-air story of the much-loved film – without losing any of its charm and vitality.

Continue reading

Review: A Dark Night in Dalston ★★★ – A night of discovery at Park Theatre that will keep you guessing

Some years back, I interviewed Rabbi Jonathan Black for radio, making a cameo appearance in EastEnders conducting a Jewish wedding. Not already a viewer, I duly researched by watching an omnibus edition and learned how you ‘gotta talk’. Jewish (non-Orthodox) playwright Stewart Permutt did his research by consulting a Charedi friend. So there’s a real authenticity about his protagonist Gideon – what brands of bread and crisps he can eat (Kingsmill and Walkers) and what he cannot drink from (glass).

Continue reading

JR OutLoud: Debbie Chazen, the only Jewish Calendar Girl, talks about her new musical The Girls


First it was a play, then a film and now Calendar Girls has been made into a musical – already nominated for several Olivier Awards – with book and lyrics  by Tim Firth, who wrote the play and co-wrote the film script (with Juliette Towhidi), and music by Gary Barlow.

The Girls tells the true story of members of a Yorkshire branch of the Women’s Institute who had the idea of posing for a nude calendar to raise money for Leukaemia Research, when the husband of one of the girls became ill and died from the disease.

As all the girls of the title are nominated jointly for an Olivier Award, Judi Herman spoke to Debbie Chazen, who has the distinction of being the only Jewish ‘girl’, as well as the only one who appeared in the original stage play.

Photo by Matt Crockett, Dewynters

The Girls runs until Saturday 15 July. 7.30pm (Tue-Sat), 2.30pm (Thu & Sat, plus Tue from 25 Apr). £29.50-£69.50. Phoenix Theatre, WC2H 0JP. 0844 871 7627.        www.phoenixtheatrelondon.co.uk

Click here to listen to more interviews on JR OutLoud.

Review: The Wild Party ★★★★ – Loud, lively and lovely, The Wild Party lives up to its name

What better way to open The Other Palace (formerly St James Theatre) than with a wild party? Michael John LaChiusa’s musical takes on Joseph Moncure March’s 1920s poem and paints an unglamorous picture of the dissolute decade with a cast of unsympathetic and pitiless characters. Guys and Dolls it ain’t!

Continue reading

Review: That’s Jewish Entertainment ★★★ – Much to discover and enjoy in a canter from cantor to cabaret

There was a terrific compilation movie that took the title of much-loved song That’s Entertainment (written by Jewish duo Arthur Schwartz and Howard Dietz for the MGM film The Band Wagon) to celebrate the Metro-Goldwyn-Mayer studio’s prodigious output; celebrating songs by Jewish composers and lyricists written for films produced by a studio founded and run by the eponymous Jewish entertainment moguls. Producer Katy Lipson proves her love and knowledge of “the magic of the musical” by touring her show The MGM Story this February. So in a way That’s Jewish Entertainment is a given, but there’s still so much to discover and enjoy as four talented performers and a four-strong band give their all to entertaining Yiddish style and tracing the trajectory of Jewish entertainment from shtetl to showbiz.

Continue reading