JR OutLoud: A guided tour of the Jewish Museum's cutting edge exhibition Blood

JR's arts editor Judi Herman joins Joanne Rosenthal, curator of the London Jewish Museum's Blood exhibition, to take you on a guided audio tour. This cutting edge exhibition explores the provocative and complex subject of blood, featuring manuscripts, prints, Jewish ritual and ceremonial objects, art, film, literature and cultural ephemera to present a rich exploration of how blood can unite and divide, reflecting on over 2,000 years of history.

Blood testing and donation at the museum Anyone interested in saving lives through blood donation is invited to attend a Know Your Group day at the Jewish Museum, to register and test likely blood groups, on Sunday 17 January ahead of donation in February (when donors will be invited to give blood). There is no need to register in advance for the Know Your Group days - simply turn up between 10am and 4pm.

Blood runs until 28 February at London Jewish Museum, 129-131 Albert St, NW1 7NB; 020 7284 7384. www.jewishmuseum.org.uk

Jewish sculptor Simone Krok found inspiration in Old Testament and Kaballah for exhibition based on Paradise Lost

Acclaimed sculptor Simone Krok’s latest exhibition, Paradise Lost, is named after John Milton’s 17th-century epic poem and explores the crucial themes of Milton’s work: creation, the fall of man, the loss of innocence and of free will. Milton’s work was heavily influenced by the Old Testament and the story of Adam and Eve, and Krok also takes inspiration from the Old Testament, as well as other religious traditions. Many of the pieces in Paradise Lost are inspired by the Jewish spiritual practice of Kabbalah.

As a Jewish South African, much of Krok’s work has been influenced by the parallel injustices she witnessed in her early life, with the apartheid in her home country and the concentration camps she saw when she travelled to Eastern Europe. In this exhibition, Krok aims to explore why the human race ‘lose the innocence we were born with as children and why it is that we so frequently use our freedom of choice to enter into the destructive path of greed, power, violence and manmade suffering that is all too common in our modern world.’ Paradise Lost closes this Thursday, so be sure to catch it if you can.

By Alice Weleminsky-Smith

Paradise Lost runs until Thursday 18 June. Gallery 223, 137-139 Lower Marsh St, London SE1 7AE. www.gallery223.co.uk

Simone Krok poses by The Sequence of Many Levels of Deception (also pictured above)

(L-R) Bronze, Co-exist, Gold, Jacob's Ladder

Artist Julian Hanford seeks crowdfunding to commemorate the Holocaust with six million domino tiles

London-based artist Julian Hanford is planning to create an art installation composed of six million domino tiles to commemorate World War II and the 70 years that have passed since its end. The project, FALL, is estimated to cost £1.58m and Hanford is looking to you, the public, for help.

A Phundee.com page will be set up for people to make donations directly. The more you give, the bigger your gifts, which range from FALL t-shirts to owning one of the custom dominoes.

FALL, which will be stacked by domino champion Robin Weijers and co, is said to be bigger than the halls at Alexandra Palace once completed. The scale of the installation is meant to communicate the number of lives lost during Hitler's reign, including Gypsies, Poles, Communists, homosexuals, Russians, the mentally ill and, of course, Jews.

The art piece will be on display in Berlin at the end of 2015 and stand for six days to mark the six years of WWII. At noon on the sixth day, while streamed live online, a Holocaust survivor will knock over the first domino and set off a chain reaction that won't stop until the last tile falls 12 hours later.

For more information, visit www.fall15.com or follow them at @fallevent15.

By Danielle Goldstein

A sneak peak at London Jewish Museum’s wedding retrospective For Richer For Poorer

For Richer For Poorer exhib, Jewish Museum, Press 2015

The London Jewish Museum's new exhibition is glorious and beautifully put together. For Richer For Poorer delicately weaves artefacts and archives from the museum's collections with delightful personal material donated or lent by members of the public to tell the story of Jewish marriage throughout the years. Including Jewish immigration and life, with its aspirations and tribulations, its joys and challenges over the years and even centuries. The dresses are gorgeous, the menus mouth-watering – and challenging in the huge number of courses on offer – and the photographs and personally written experiences extraordinarily moving. Anyone who's partial to shedding a tear at weddings should take a packet of tissues!

Also don't miss the free crowd-sourced exhibition Love. The range of everyday objects, historic artefacts and artworks on display are by turns beautiful, surprising and touching – and by no means all Jewish. They include a hand-me-down child's puzzle, a glass shattered under the chuppa (wedding canopy) preserved in blue perspex, and a pin combining the Indian and Scottish flags that symbolises a multicultural union.

By Judi Herman

For Richer For Poorer: Weddings Unveiled runs until 31 May and Your Jewish Museum: Love runs until 19 April. Jewish Museum, 129-131 Albert Street, NW1 7NB; 020 7284 7384. www.jewishmuseum.org.uk

If you can't make it down to the museum, take an audio tour of the exhibition with Judi and Jewish Museum curator Elizabeth Selby.

For Richer For Poorer exhib, Jewish Museum, Press 2015

For Richer For Poorer exhib, Jewish Museum, Press 2015

For Richer For Poorer exhib, Jewish Museum, Press 2015

For Richer For Poorer exhib, Jewish Museum, Press 2015

For Richer For Poorer exhib, Jewish Museum, Press 2015

For Richer For Poorer exhib, Jewish Museum, Press 2015

For Richer For Poorer exhib, Jewish Museum, Press 2015

"I know that picture" – JR hears from a reader who saw the lost Levy painting 60 years ago

A  story of history uncovered

Chapter 1

Alexandra Grime (pictured), a curator at the Manchester Jewish Museum, discovers that the artist behind a portrait of Mark Bloom is none other than Northern Jewish painter Emmanuel Levy. The picture of Bloom – founder of Colwyn Bay Synagogue and a horse trader during WWI – was donated to the museum more than three decades ago by the synagogue, but it was only when Grime was looking through Levy's scrapbooks, while researching the museum's current Levy retrospective, that she put two and two together. The Bloom portrait has now been added to MJM's exhibition.

Chapter 2

Rona Hart – ex-Colwyn Bay, Southend and London, and now resident in Haifa – sees this item in the Jewish Renaissance fortnightly newsletter and is excited…

"That picture – of Mark Bloom – was part of my childhood. My heart really skipped a beat when I saw it – and for the first time since the 1950s!

Zion House (37 Princes Drive, Colwyn Bay) not only housed the tiny Colwyn Bay synagogue, but contained a ground floor flat that was rented out to religious families during the summer months, and another room, where I lived with my parents from 1947 to 1952. I was three years old when we moved in and was very happy there, running wild in the large gardens and surroundings. In the summer I played with the children of visiting rabbonim, which provided a culture shock in both directions, I should imagine.

I remember Mark Bloom as a very kindly man. Because we lived in the shul building, there was a good deal of post of one kind or another, with leaflets, posters, a map of Israel, and the like. I remember seeing one drawing of somewhere in Israel and thinking 'when I'm grown up, I'm going to go there. I won't tell anyone now, because they won't believe me, but one day I'm going to go.' I have no idea where that feeling came from.

A story I was told, but don't remember, was that Mark Bloom once gave me half a crown (a phenomenal sum!) and asked what I was going to do with it. When I said I would like to send it to the children in Israel, he promptly gave me another 2/6d. I probably still owe Israel a few bob.

I never knew Mr Bloom was a horse trader; he was our landlord and the founder of our shul, so he was treated with great respect. He was always very kind and generous, and not above showing interest in a very small (and probably unruly) girl. The painting was a very good likeness.

The small Colwyn Bay community (we had a Ladies Guild, a Cheder, etc. although we were only about a dozen families) closed some years ago, I believe in the 1970s. I still visit the area and have friends there."

Chapter 3

Jewish Renaissance passes on the story to the Jewish Museum Manchester. They are thrilled.

By Janet Levin

Made in Manchester: The Art of Emmanuel Levy runs until Friday 29 May. Manchester Jewish Museum, 190 Cheetham Hill Rd, M8 8LW; 016 1834 9879. www.mjm.org.uk