Hundreds thronged to Manchester’s Jewish Museum on Sunday 2 July for the first Jewish Arts Festival For All (JAFFA). Jews of all ages were joined by those of other faiths for a fun-filled day of food, music, art and entertainment.
The Lord Mayor of Manchester – who spent almost two hours at the festival with his wife – chose as his theme for a year that has seen the city’s emergence from the horrendous terrorist attack, “to promote community cohesion and mutual respect amongst and between the city’s diverse communities and individuals” and t was certainly in evidence on Sunday.
From the moment Janet Suzman, as Rose, appeared dressed all in black, sitting on a single white bench on an empty stage, the audience was gripped.
Rose was sitting shiva, and as her story unfolded over the next two hours, recounting her journey from a Ukrainian shtetl through all the vicissitudes of a Jewish 20th Century, she sat shiva repeatedly. Each time – for a parent, a child, a husband, victims of the repeated manifestations of antisemitism – a slender shower of sand descending from a hole in the roof of the stage was the only visual accompaniment to Rose’s narrative.
“There is no more demanding role in the canon than Rose,” declared Richard Beecham, director of the first UK revival of Martin Sherman’s award-winning play, which premiered at the National Theatre in 1999.
This one-actor tour de force about persecution, displacement and survival stars Dame Janet Suzman in what Beecham describes as an “extraordinary role for an older actress” and runs at HOME, Manchester, until Saturday 10 June. “Older chaps get the parts,” he explained when he and Suzman spoke to the press prior to the play’s opening. She agreed that there were too few roles for older actresses and interjected with a wry smile: “I can understand why Glenda Jackson said ‘bugger it – I’ll play King Lear’.”