Celebrated choreographer Hofesh Shechter presents Shechter II, his apprentice company for dancers ages 18-25. Just eight extraordinary young international talents, chosen from over 1,000 who auditioned, prove they are already a force to be reckoned with. Rock gig meets circus in this funny, disturbing, sexy show, tinged with the menace of gothic horror.
Dressed in an intriguing amalgam of costumes (costume supervisor Laura Rushton) suggesting clowns, music hall and Edwardiana, the dancers group and regroup, by turns amorous and supportive and threateningly murderous. Attraction proves fatal as, with dizzying speed, they move from ardent embrace to ruthless assassination. As they execute their deceptively wild and fluid measures, they take turns to execute each other, stabbing and strangling, falling and jerking in repeated death throes, only to rise and start all over again. It’s as if Mr Punch had come to life and inspired a whole troupe of imitators.
I rounded off October by spending two consecutive evenings being excited and challenged by the work of two talented young Israeli performing artists, both with so much to offer. Niv Petel is heartbreaking in Knock Knock, his beautifully nuanced account of a devastating situation faced by too many Israeli families, and Hagit Yakira attracted full houses for her exciting new work Free Falling.
Petel is an extraordinary physical actor, wonderfully convincing as a devoted mother whose son is the centre of her life. An engaging and important contribution to our understanding of life in Israel. And at Sadler’s Wells last week, dancer/choreographer Yakira presented four talented performers falling and recovering again as they take what life throws at them. Supporting each other, their eyes and faces as important as the rest of their bodies as they look out for each other. In a beguiling add on, three more dance artists responded to Free Falling – including full audience participation on the studio floor, everyone linked in a joyful dance – a sort of Hora at Sadler’s Wells, which makes Israeli dance so welcome. Niv Petel and Hagit Yakira are certainly names to watch.
Hagit Yakira attracted full houses for her exciting new work, four talented performers falling, recovering and supporting each other, as they take what life throws at them. Their eyes and faces are as important as the rest of their bodies as they look out for each other. Yakira says she invites her audience “to experience the unravelling of real life experiences”. What I loved, though, was the synthesis – the building up of the elements that make up this seemingly simple but actually complex work performed on a vast bare stage.