In 1975 when Chagall was 88, he illustrated an edition of Shakespeare’s magical play The Tempest, perhaps feeling an affinity with Prospero the magician and prince, who gives up his ‘rough magic’ at the play’s end. The first UK exhibition of this rare and limited portfolio is currently on view at the Ben Uri gallery. Curator Hanna Scolnicov, Professor emerita of Tel Aviv University (left in above photo), talks to JR’s arts editor Judi Herman (above right) about how Chagall came to illustrate the edition and takes listeners on an audio tour of the exhibition, stopping at her favourite images.
A Farewell to Art: Chagall, Shakespeare and Prospero runs until Sunday 11 February. Ben Uri Gallery, NW8 0RH. 020 7604 3991. www.benuri.org.uk
See Scolnicov’s selected images below.
Hodl is the second daughter of Tevye, the poor dairyman whose family are at the heart of one of the world’s favourite musicals. She falls in love with Perchik, a student and revolutionary, and follows him into exile in Siberia.
“When I got the phone call that I’d been offered [the part], I burst into tears,” says Kingston. Listen as she tells Judi Herman why, and much more about her research for the part, including reading Shalom Aleichem’s original stories on which the musical is based. The actor also discusses her Jewish upbringing; how she and fellow Jewish cast member Tracy-Ann Oberman (who plays Tevye’s wife, Golde) share insights with the rest of the cast; and the joy of rehearsals with Iranian-born actor and comic Omid Djalili in the role of Tevye.
Fiddler on the Roof runs Monday 10 July – Saturday 2 September. 7.30pm, 2.30pm (various Wed, Thu & Sat: phone to confirm). From £10. Chichester Festival Theatre, PO19 6AP. 012 4378 1312. www.cft.org.uk
Click here to read our review of Fiddler on the Roof.
Playwright Cordelia O’Neill talks to Judi Herman about her powerfully imagined drama, No Place for a Woman, the story of two women caught up in the Holocaust. At concentration camp commandant Fredrick’s orders, Jewish ballerina and internee Isabella is ordered to dance for guests at the party his wife Annie is throwing and their lives become inextricably intertwined.
Click here to read our review of of No Place for a Woman.
No Place for a Woman runs until Saturday 27 May. 7.45pm (Tue-Sat), 3pm (Wed & Sat only). £15, £12 concs. Theatre 503, SW11 3BW. 020 7978 7040. www.theatre503.com
Ahead of its run at Upstairs at the Gatehouse in Highgate, Daniel Donskoy performed A Song Goes Round the World – his show of European chansons – for the residents of Selig Court. Many of those who live in these independent living apartments on Jewish Care’s Maurice and Vivienne Wohl Campus are survivors of Nazi persecution. Donskoy sings in many languages, including Yiddish, to bring people together in a fractured Europe. Judi Herman was there to meet Donskoy and the residents, to hear their stories – and of course Donskoy’s glorious vocals, accompanied by MD Inga Davis-Rutter on piano.
A Song Goes Round the World runs Tuesday 25 – Sunday 30 April. 7.30pm, 4pm (Sun only). £18, £16 concs. Upstairs at the Gatehouse, N6 4BD. 020 8340 3488. www.upstairsatthegatehouse.com
First it was a play, then a film and now Calendar Girls has been made into a musical – already nominated for several Olivier Awards – with book and lyrics by Tim Firth, who wrote the play and co-wrote the film script (with Juliette Towhidi), and music by Gary Barlow.
The Girls tells the true story of members of a Yorkshire branch of the Women’s Institute who had the idea of posing for a nude calendar to raise money for Leukaemia Research, when the husband of one of the girls became ill and died from the disease.
As all the girls of the title are nominated jointly for an Olivier Award, Judi Herman spoke to Debbie Chazen, who has the distinction of being the only Jewish ‘girl’, as well as the only one who appeared in the original stage play.
Photo by Matt Crockett, Dewynters
The Girls runs until Saturday 15 July. 7.30pm (Tue-Sat), 2.30pm (Thu & Sat, plus Tue from 25 Apr). £29.50-£69.50. Phoenix Theatre, WC2H 0JP. 0844 871 7627. www.phoenixtheatrelondon.co.uk
Following a visit to Auschwitz in 2012, Sira Soetendorp felt a deep need to preserve the memory of all the lost family members. The Dutch artist used carved outlines drawn in oil paint to fashion portraits based on family photographs, which make up her exhibition Vanished Families. Here she discusses the exhibit with JR’s Arts Editor Judi Herman, plus you will hear Rabbi Awraham Soetendorp, Sira’s husband and Emeritus Rabbi of the Hague, who is an award-winning human rights advocate.
Vanished Families runs until Monday 27 February at Etz Chayim Gallery, Northwood & Pinner Liberal Synagogue, HA6 3AA. 019 2382 2592. Viewing by appointment: firstname.lastname@example.org. www.npls.org.uk/etzchayim.htm
Janet Haig is one of the ceramicists whose pieces (pictured above), as well as a film showing how she works, are featured in Shaping Ceramics at the Jewish Museum London. The exhibition explores the work of pioneering ceramicists, tracing their influence on subsequent generations of ceramic artists whose Jewish heritage has shaped their work. Polish-born artist Haig joins JR’s arts editor Judi Herman here for a very personal tour of the exhibition, discussing the experiences that have moulded her work: from the hardships of the war years in a Siberian prison camp with her mother, to her formative childhood in Australia (where she studied painting) after they discovered that their closest family had perished in the Holocaust, to her arrival in the UK in 1962 and work teaching in a boys’ school.
Haig reveals that her first inspiration might go back as far as those harsh days in Siberia: “My mother was able to take one object with her [to Siberia] and she suddenly saw this little pot (I still have it in my possession), which she grabbed hold of because, as I was a baby, she thought it would be useful to warm things up. It’s enamel, blue on the outside, white on the inside and maybe that has had some kind of inspiration on my pots.”
Shaping Ceramics: From Lucie Rie to Edmund de Waal runs until Sunday 26 February, at Jewish Museum, NW1 7NB. 020 7284 7384. www.jewishmuseum.org.uk
Watch ceramic artist Janet Haig demonstrate the ancient pottery-making technique of hand building on Monday 23 January, 11.30am-12.30pm, £7.50, £6.50 concs, at Jewish Museum, NW1 7NB. 020 7284 7384. www.jewishmuseum.org.uk
Continue reading to see images of work featured in the exhibition, as mentioned in the interview; and find out more about key artists in the exhibition in the January 2017 issue of Jewish Renaissance.
When Harry is talked down from throwing himself off a Bridge by old school friend Milt, who luckily happens to be passing, his life takes a different direction as he finds love in this 1963 comedy from Murray Schisgal. He’s the prominent New York Jewish writer responsible for Tootsie, Dustin Hoffman’s cross-dressing film comedy hit. Here Charles Dorfman talks to Judi Herman about finding LUV and playing Harry; his co-stars Nick Barber and Elsie Bennett; his collaboration with director Gary Condes; and Dorfman’s Buckland Theatre Company, resident company at Park Theatre’s studio space, Park 90.
LUV runs until Saturday 7 January. 7.45pm (Tue-Sat), 7pm (13 Dec only), 3.15pm (Thu & Sat). £14.50-£18. Park Theatre, Clifton Terrace, N4 3JP. 020 7870 6876. www.parktheatre.co.uk
Australian-Israeli comedian, actor and human rights lawyer Jeremie Bracka will be making his London debut on night one of JW3’s UK Jewish Comedy Festival (1-4 Dec). Here he talks to Judi Herman, JR’s arts editor, about life in the Middle East and Down Under, as well as his latest one-man show, Thank you for Flying Hell-Al, in which he uses storytelling, stand-up, character comedy and mockumentary to explore life in Israel and the experience of making Aliyah.
Thank you for Flying Hell-Al is on Thursday 1 December, 8.30pm, £15, at JW3, NW3 6ET; 020 7433 8989. www.jw3.org.uk
Playwright Alix Sobler talks to JR’s arts editor Judi Herman via Skype about her award-winning play The Great Divide, about the fight for equal pay and unionisation in American garment factories and about the resonance that The Great Divide has today. Inspired by true events, the play tells the story of a fire in a New York garment factory that killed 146 workers – mostly women and mostly Jewish immigrants.
The Great Divide runs Sunday 4 – Tuesday 20 September, 7.30pm & 2pm, £18, £16 concs, at the Finborough Theatre, 118 Finborough Rd, SW10 9ED. www.finboroughtheatre.co.uk
Photo by Luckygirl Photography