Lush romantic stories are bread and butter to composer/lyricist Maury Yeston, and he writes scores to match. His elegiac music conjures time and place and whether the place is the doomed Titanic ocean liner or Grand Hotel Berlin 1928, the first half of the 20th century seems to be his preferred time.
Many musicals have varied fortunes but Grand Hotel might have the longest history. It started in 1929 as a novel and then evolved into a play by Austrian-Jewish writer Vicki Baum as Menschen im Hotel (People in the Hotel), exploring the extraordinary stories of guests and staff over one weekend in the best hotel in Berlin. It then became an academy award winning film in 1932 and in 1958, fresh from the success of Kismet, Luther Davis (who authored the accompanying book), as well as George Forrest and Robert Wright (both on lyrics duty) relocated the setting to Rome for their musical version starring Paul Muni. It opened on the West Coast to mixed reviews, straying quite a way from the original storyline, but Muni was ill and the punters wanted to see a closer version of the film so everyone decided against a Broadway opening.