Julius Caesar is perhaps Shakespeare’s most topical play right now. Nick Hytner’s modern-dress production for The Bridge Theatre, follows the RSC’s 2017/18 Roman-dress version. A populist leader adored by the populace overreaches himself to the disgust and horror of the ruling elite, who prove fatally to lack the common touch. The mob is swayed back and forth by conflicting oratory, but the people’s choice has to be the one who offers the most tangible rewards – money and quality of life. Brutus, Cassius and their equally patrician co-conspirators step up, but are forced to step aside when Caesar’s protégé Mark Antony expertly plays on the emotions of the ‘ordinary’ Romans mobbing the funeral of their assassinated ‘beloved leader’.
The stand-out feature of Hytner’s vision is to have some hundreds of audience members promenading in the pit, cleared of seating and filled by designer Bunny Christie’s extraordinarily versatile set. His platforms rise and fall to transport the audience to Ancient Rome, from Senate House to Forum, Brutus’s palatial home to battlefield. Hytner’s masterstroke is to cast the promenaders as the Roman mob, ruthlessly controlled by uniformed apparatchiks (perfectly-drilled theatre staff who ensure the promenaders get out of the way of fast-moving scenery).