Is it an accolade if your name becomes an adjective to describe your work as playwright? Brechtian is (perhaps lazy) shorthand for alienation and Pinteresque for menacing. Unsettling menace may permeate the sea air in the unnamed resort where Meg runs a shabby boarding house and husband Petey is a deckchair attendant, but Harold Pinter brings rather more to this party. He is laugh-out-loud funny for a start. His ear for the vagaries of daily conversation, the transactions and the power play, is acute; the heightened rhythms and repeats of his characters’ exchanges and what they reveal of their hopes, fears and relationships – and the pauses (carefully written into the script) – are entirely his own.