Four years ago I was privileged to be a spectator in a very unique courtroom. The setting? Venice Ghetto. The case? Shylock v Antonio. The Mock Appeal – held as part of the ghetto's 500th anniversary celebrations, during which…
Born Ronald Horwitz in Cape Town, 1934, Harwood is best known for the stage shows and the screenplays of The Dresser (for which he was nominated for an Oscar) and Roman Polanski’s The Pianist, for which he won the 2003 Academy Award for Best Adapted Screenplay. He was…
The Cosmo Café in ‘Finchleystrasse’ (as bus conductors jovially called out in Finchley Road) was a much-loved place of refuge and refreshment for its refugee denizens from wartime ‘Mittel Europa’. When theatremaker and artist…
Stephen Laughton premiered his poignant, poetic exploration of a beautiful relationship threatened by the trauma of antisemitism in 2018. In this reworking for 2020, it's lost none of its power and, sadly, it's even more topical. Laughton himself has continued to be the target of…
If ever place names were nominatively determinative, Tony Kushner’s Slurry, relocated from Swiss playwright Friedrich Dürrenmatt’s homeland to outside New York, perfectly reflects the rundown industrial town awaiting the…
Working on a kibbutz can be a culture shock even for Jewish youngsters – and I speak from experience. So the quartet of ill-assorted volunteers in playwright Paul Kember’s Not Quite Jerusalem – revived for the first time since 1982 as part of the Finborough's 40th anniversary…
The mikvah, the Jewish ritual bath, is usually imagined as an intimate female space, where immersion is mandatory for observant prospective brides and women cleansing themselves after menstruation. Men share mikva’ot too though and the two young men who face up to…
For those brought up on the Exodus story, sharing it every year at the Passover Seder table, and for fans of the hit film, there are no spoilers in The Prince of Egypt, but there are surprises in this full-blooded reimagining of the musical. For starters, in Philip LaZebnik’s book, the bromance…
Lionel Bart’s follow up to Oliver! may share an exclamation mark and a London setting but this time it’s personal. His community of East Enders living through the Blitz, both Jewish and non-Jewish, are based on folk he might have met, rather than the stereotype represented by Dickens…
My Stoppard journey began more than 40 years ago with the heady cocktail of verbal fireworks, erudition and wit that is his 1966 play, Rosencrantz and Guildenstern Are Dead. Now it seems it is to end, with what the great playwright suggests is his last play, as he navigates his own…
“We had the biggest party in the darkest time,” declares one of the gloriously evocative numbers in Miriam Sherwood's self-styled ‘grandad cabaret’. Rendezvous in Bratislava is a love letter to her late grandfather Jan ‘Laco’ Kalina, a Slovakian Jewish satirist, joke collector, cabaret creator…
There’s a pleasing synchronicity to Ron Elisha’s take on the abdication of Edward VIII and how no less a femme fatale than Marlene Dietrich might have tried to change history by getting him to ‘fall in love' again. The play arrives onstage just as royals seeking to abdicate their duties…
“I consider myself a Jewish writer, like all my heroes: Tom Stoppard, David Mamet, Philip Roth, Arthur Miller, Woody Allen,” said director Patrick Marber in an interview in 2015. Now he is directing a play from one of those “heroes”, Tom Stoppard – a play which might be…
With book by Fiddler librettist Joseph Stein (sympathetically revised by David Thompson), it’s clear that Rags might represent the future of Anatevka’s plucky emigrants. Designer Gregor Donnelly loads piles of battered suitcases around the action as another boatload of…
This superb revival of Jerry Herman’s musical is the first in this country since 1969. Following the story of big-hearted, impulsive Mame, her protegés and reversals of fortune as the roaring 20s give way to the Great Depression and the war-torn 40s, it’s hard to see why the wait has been so…