This gloriously witty, erudite tribute to the ‘degenerate’ music banned by the Nazis has graced auditoria large and small and now amply fills the Barbican’s vast space, thanks to the fabulous Aurora Orchestra, placed firmly centre-stage by Barry Humphries and director Nikki Woollaston…
Kiss Me Kate ★★★★
Finishing the Picture ★★★★
Into the Woods ★★★
Shirleymander ★★★★
The Chess Player ★★★★
David Herman celebrates Philip Roth’s Portnoy’s Complaint
Interview: Na’ama Zisser
Israeli composer Na’ama Zisser tells us about writing her Jewish opera Mamzer Bastard. Imagine you’re in New York in the 1970s. Jimmy Carter is either in office or about to be, bands like the Bee Gees and Elton John are vying for top spot in the charts, and one very apprehensive groom named Yoel is dreading his impending wedding…
Effigies of Wickedness ★★★★
A riot of colour, challenging ideas and songs with bite that the Nazis tried to ban. When the Nazis branded music by Jewish composers and ‘negro music’, the so-called ‘degenerate’ music of the Weimar cabaret, an ‘effigy of wickedness’ – they banned it too. But not before staging a Degenerate Music Exhibition…









